³þTimes New Roman³þTimes New Roman>ÿTimes New RomanYÿTimes New Roman‘ÿTimes New RomanYÿFronimo Recercare>ÿTimes New Roman  ddÈÈ‚2Ð\ - # -lBritish Library MS Eg. 2046, Jane Pickering Lute Book (1616), f.23. Encoded and edited by Sarge Gerbode. 2 ÿÿCPiece3ƒ{\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\fnil\fcharset0 MS Shell Dlg;}} \viewkind4\uc1\pard\f0\fs-22 Pavane\par } ‰{\rtf1\ansi\ansicpg1252\deff0\deflang1033{\fonttbl{\f0\fnil\fcharset0 MS Shell Dlg;}} \viewkind4\uc1\pard\f0\fs-22 John Johnson\par } /key:Fm type:pavane dif:virtuoso ins:6-course 4ÿÿCBar<ÿ333553333335ja¥¿€?€?€?€?€ÿ33303203320321 ja¥¿€?€?€?€?€?€?€?€? €ÿ33353333311130ja¥¿€?€?€?€?€?€ÿ433320424334332 ja¥¿€?€?€?€?€?€?€?€? Note added by editor.Bÿ€ÿ1331302013313303 ja¥¿€?€?€?€?€?€?€?€? €ÿ0230233112320133ja¥¿€?€?€?€?€?€?€ÿ133313311211010š|Ù¿€?€?€?€?€?€?€ÿ3130133011343312 š|Ù¿€?€?€?€?€?€?€?€? €ÿ345533301213003433353202 š|Ù¿€?€?€?€?€?€?€?€? €€ÿ330123435533453345š|Ù¿€?€?€?€?€?""ž?€ÿ333553333335š|Ù¿€?€?€?€?€ÿ3330235353535353203023532032323202¨Ö¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€ÿ333533353311130¨Ö¿€?€?€?€?€?€ÿ43323204332032323202-¬ô¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?$8 rhythm flags double value in orig. Bÿ€ÿ1331302013313303 -¬ô¿€?€?€?€?€?€?€?€? €ÿ0230233112320133-¬ô¿€?€?€?€?€?€?€ÿ13013112110013131310301304ù²¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?"4 rhythm flags half value in orig.ûÿBÿ€ÿ313013301343312 4ù²¿€?€?€?€?€?€?€?€?€? €ÿ 34553330121300343335033422 4ù²¿€?€?€?€?€?€?€?€?€?€?€?  "c" in orig.,Bÿ€€ÿ330123435533453345 4ù²¿€?€?€?€?€?€?€?#ž¤? €ÿ01133133014ù²¿€?€?€?€?€?€ÿ56335633554ù²¿€?€?€?€?€?€?€ÿ33313112110104ù²¿€?€?€?€?€?€ÿ01130113113034354ù²¿€?€?€?€?€?€?€ÿ113130201313563 4ù²¿€?€?€?€?€?€?€?€? €ÿ 356357876655365 ÕÂÊ¿€?€?€?€?€?€?€?€?€?€? €ÿ5635331023031303 ÕÂÊ¿€?€?€?€?€?€?€?€?€? €€ÿ0342333550230ÕÂÊ¿€?€?€?€?aR ?€ÿ 0113313331310101 ÕÂÊ¿€?€?€?€?€?€?€?€?€?€?€? €ÿ 5633565353546335655Qœ¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?Note one course lower in orig.Bÿ€ÿ3331312013130130101010313013Qœ¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€ÿ 01301301311303435 Qœ¿€?€?€?€?€?€?€?€?€?€? €ÿ 11313020131010135636q®ã¿€?€?€?€?€?€?€?€?€?€?€?€?€?€ÿ3535353568766355365656535q®ã¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€ÿ56353310320020023230100131xû¡¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€€ÿ0402302312320 xû¡¿€?€?€?€?€?€?€?€?pu¨? €ÿ1131113111313411131xû¡¿€?€?€?€?€?€ÿ356356355513130321 xû¡¿€?€?€?€?€?€?€?€?€? €ÿ01131032113002331 fƒ¦¿€?€?€?€?€?€?€?€? €ÿ230313030230351313 fƒ¦¿€?€?€?€?€?€?€?€? €ÿ1341063535356318068 fƒ¦¿€?€?€?€?€?€?€?€? €ÿ563356313002303343130133 fƒ¦¿€?€?€?€?€?€?€?€? €ÿ 22033133132022 fƒ¦¿€?€?€?€?€?€?€?€?€?€? €€ÿ33455534123345334vŒâ¿€?€?€?€?€?‘íœ?€ÿ1131113111313411131vŒâ¿€?€?€?€?€?€ÿ33653535636356563513130321vŒâ¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€ÿ033101301323021001023334130234ù²¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?JIn orig., "a" on 3rd course. I doubt Johnson wanted 2 half tones in a row.XBÿ€ÿ0230303100131020023023511334ù²¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€ÿ13113413036355535335635108586'_¶¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€ÿ5335653531303023033433464130101313'_¶¿€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€ÿ32002320220023213002302353535320ù²À€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€?€€ÿ3345ù²À¿C™?C>950+)&@