Correction and Contributors Honor Roll
I would like to acknowledge the following people who have made valuable corrections and other contributions to this website:
ˇ , for pointing out that “O Mistress Mine” is not originally by Byrd or Morley, but anonymous and arranged by each of them.
ˇ , for corrections to Francisque's Branle Gay 1.
ˇ , for correcting several errors in Dowland's Fantasy 73 and several more in one of Robert Johnson's Pavanes in the John Sturt Lute book.
, for noticing that I put Händel Trio Sonata in F under “Bach” as well as Händel.
ˇ , for corrections to Lord Chamberlain's Galliard.
ˇ , for correcting a wrong link to Mudarra's "Claros y frescos rios" (two PDF files).
ˇ , for pointing out some missing pieces from my edition of the John Sturt Lute Book.
ˇ , for identifying "O du fröliche" variations as such.
ˇ , for a correction to Holborne's "Fairy Round" Galliard.
ˇ , for correcting a mis-naming of Beck's "Nathaniel Gordon" as Tarphicken.
ˇ , for corrections to the date in my edition of Judenkoenig's 1523 publication
and for corrections to some Robert Johnson files.
ˇ , for corrections to Zamboni Sonata IX.
ˇ , for turning me on to the poetry of Clément Marot, whose poetry appears in several of the songs in the Attaingnant collection. This allowed me to add some otherwise missing stanzas and to give Marot proper credit in my editions.
ˇ , for contributing a facsimile of Kapsberger's Intavolatura di Liuto, v.1 (1611).
ˇ , for his correction on Hewet’s Fantasy from “Varietie of Lute Lessons”.
ˇ , for pointing out that Ortiz' Recercada 3 was mislabeled as Recercada 2, being a duplicate of Recercada 3.
ˇ , for contributing a diagram of scordatura tuning in Dalza..
corrections to Narvaez's
version of Milles Regretz
Seys Libro del Delphin (1538), to Besard's song, "Quelle
s'imprime" from Thesaurus Harmonicus, v.4, to Bonny
from Cambridge University Library Dd.2.11(B), and to Drewries
Accords from the Pickering Lute Book. Also, for
several corrections to Milano fantasies and to Holborne's
"Fairy Round Galliard".
ˇ , for contributing the Duke of Somerset's reverie.
ˇ , for a correction to a Dalza piva.
ˇ , for help on Fuenllana notations and for translating some key passages in Orphenica Lyra.
ˇ , for correcting errors in Dowland's "Farewell, unkind, farewell" and "Love stood amazed".
ˇ , for a correction to Dowland “If my complaints” , and for one to Milan's Fantasy 8.
ˇ , for help in elucidating the issue of split courses in Bakfark's Harmoniarum Musicarum.
for pointing out a duplicated piece in Vincenzo Galilei's “Contrapunti.
ˇ , for correcting errors in the Dowland solo, 05 a fancy, and for corrections to knight_of_the_lute_fantasy from Varietie of Lute Lessons.
ˇ , for correcting formatting errors in certain files.
ˇ , for a correction to Book 1, #1, Pleni, from Missa Hercules of Josquin
and a correction to Milan "El Maestro", Fantasia 14.
ˇ , for various entabulations he has done. over the years.
ˇ , for a correction to Dowland's "To ask for all thy love" (4th Book of Ayres).
ˇ , for corrections to Narvaez' Y la mi cinta dorado.
ˇ , for corrections to Saltarello 48 of da Crema.
ˇ , for filling in many missing Dowland solo pieces.
ˇ , for corrections to Dowland’s La mia Barbara.
ˇ , for pointing out that the file milano_022 is the same as milano_020 in the Milano directory. This has been corrected.
ˇ , for helping with Fuenllana notations and corrections to Fuenllana's 2-part version of Josquin's "Fecit Potentiam" in Book 1 of Orphenica Lyra.
ˇ , for correcting an error in Dowland's Lady Laiton's Almain.
ˇ , for contributing a relatively clean copy of Cambridge University Library MS Nn.6.36 to my collection of facsimiles. Other copies were missing most of the first staff on each page. Neil has also been very helpful in solving issues with the pieces in this source.
ˇ for correction of a mislabeling of Dowland solo #38: “Viscount Lisle’s Galliard” as
#37: “Lord Chamberlain’s Galliard”. Also for corrections to Dowland’s “Come heavy sleep” and “La mia Barbara”.
ˇ , for invaluable information on terminology and naming conventions, as well as for interpretation of clef signs in tablature and help with split courses in Bakfark (any errors, though, are my responsibility).
ˇ , for corrections to Belle qui m'avez blessé and for contributing several airs de cour and 10-course lute pieces to the site.
ˇ François Pizette, for a correction to dall'Aquila's Ricercare 33 and to Piccinini's #25 "Aria di Sarabanda".
, for a reconstruction of a Francesco da Milano ricercar from the damaged Castelfranco MS.
ˇ , for unlocking the mystery of the tuning of John Sturt Lute book f.33v allemande duet and for many other contributions to this website.
ˇ , for corrections to Campion’s “The man of life upright”, and John Danyel's "Rosamund".
ˇ , for pointing out that "La Alfonsina" was composed by Johannes Ghiselin, not Hayne von Ghizehem.
Love" and "Away
ˇ , for a correction and addition to Capirola’s Ricercar 1.
, for corrections to a pavan by Ferrabosco and for
help in interpreting clef signs in tablature.
, for a correction to Valderrábano's
"Con que la lavoré".
, for corrections to, and 8-Course version of, Dowland's
Mrs. Vaux' Jig and corrections to a dance
in Mus MS 1512 and Dowland's Lady
, for multiple corrections to my edition of CUL
Dd.2.11. This was truly a spectacular job
that obviously took a lot of work.
for corrections of multiple errors in my edition of M. Galilei's Book 1.
for corrections to Dalza's Pavana
alla Venetiana 1.
ˇ , for corrections to Dowland “If my complaints” and “Rest awhile, you cruel cares”. Also for contributing "Miserere, my Maker".
ˇ , for corrections to my edition of Bakfark’s “Ultimi mei sospiri”, in Bakfark’s 1552 “Intabulatura”. Also for corrections and additions to Philip van Wilder's "Arthur's Dump", from the Marsh Lute Book and corrections to Pilkington's Funeral.